Tuesday, 9 December 2014
Six page album cover
I have started the album i have completed the front cover the track list and the back covers and the left cover. The photos link well to the video and there is a clear relation of theme and genre. So far i think it is going well and we just need to shoot some more photos to put in the inside covers and the inside back.
09/12/2014
Today I have edited together the first 50 seconds rough copy of our music video with a few test filters and transitions. As well as this I have filled in a lot of the website pictures and edited the text and layouts to fit our artists brand image.
Monday, 17 November 2014
Test shots
Thursday, 13 November 2014
Risk Assessment
Risk
|
How
to prevent it
|
The
train station and London can get busy, during rush hour and at other peak
times. As we will be travelling to London with a group of people we need to
ensure that no one gets lost or hurt.
|
|
The
equipment is very expensive and therefore is at a risk of theft and damage.
|
|
Back Up Recce
Our back up location for the bedroom shots, is at another bed room, which we have received permission to use from Megan Jones. The room has the same colour scheme that we want to use, so if our first location is unavailable we can still follow with our original plans. To travel here we would all need to travel by car as the location is far from our actors home and we are unable to get there by public transport. This may cause issues because as well as our actors we have a production team, for make up and costume so not every one may be available to travel.


As London security can be very strict and difficult to gain permissions, we have decided on other locations in the city that we can use as back ups. Covent garden often has street acts so this will work well instead of South Bank. It is not the best choice as it is very busy with tourists this meaning that theft can be a large risk here.
Leciester Square is often packed with people, which makes it a suitable back up location as well. The square is very popular and is often holding events like premiers etc, meaning that we may have to receive permission to film here.
Audiences
We need a young teenage girl who would feel confident dancing and lip syncing in public places, so we need a confident girl that also is rather good looking and her image will sell to an audience. I have researched into some potential actresses we could use and i have gathered images of them and we will begin to contact them asking if they would be comfortable with filming and interview and audition them as neccasary.
EMILY
KATE
DAISIE
MAISIE
ABBIE
EMILY
KATE
DAISIE
MAISIE
ABBIE
Costume/Prop Design
Our main actress will be wearing wings to symbolise her purity and innocence she will also be wearing a mask to cover her face she will not be shot from the front angle showing her face throughout the whole video but there will be a lot of close ups focusing on her lips eyes hands and body. The wings also go along with the falling feathers the underlying meaning of the feathers is that they are falling throughout the video and at the end they hit the floor showing her realisation that she does not need a man. the mask gives her mystery and in the video our enigma code is that we do not know why she is like this and what she has been through it is confusing because the man we suspect to be with her is actually a figment of her imagination,
Call Sheet
DIRECTORS
Briony Costanza 07787 134410
Morgan Reynolds 07564240923
ACTORS/MAKEUP/DRIVERS
Emily Nowell 07585 665121
Tom East
Megan Jones 07827 323013
Kate Bealing 07585 979210
SCENES
Bedroom scene- ALL
London scene- BRIONY, MORGAN, EMILY, TOM, MEGAN
Briony Costanza 07787 134410
Morgan Reynolds 07564240923
ACTORS/MAKEUP/DRIVERS
Emily Nowell 07585 665121
Tom East
Megan Jones 07827 323013
Kate Bealing 07585 979210
SCENES
Bedroom scene- ALL
London scene- BRIONY, MORGAN, EMILY, TOM, MEGAN
Location Recce
We have chosen this location as our first option because it is white and has fairy lights which is the effect we want. We wanted the bedroom to be quite plain because we are only shooting little parts of the bedroom, it will mostly be close ups of the artist and the fairy lights for this reason this is a better option because it is larger and more spacious. We can remove all wall hanging and change the bed sheets to make the room completely white and plain.
Asset list
This asset list will help us ensure that we can have a successful filming day and do not fun into problems like forgetting the battery or film for the camera.
Assets to ensure we bring:
Camera
Tripod
Camera Charger
Video Tape
Camera Battery
Fairy Lights
Feathers
Assets for star in text:
Wings
Makeup
Jeans
Boots
Large Coat
Scarf
Mask
Pyjamas
Assets to ensure we bring:
Camera
Tripod
Camera Charger
Video Tape
Camera Battery
Fairy Lights
Feathers
Assets for star in text:
Wings
Makeup
Jeans
Boots
Large Coat
Scarf
Mask
Pyjamas
Shot List
This is a shot list, it will help us when filming our video as we will need to know every shot we must take to fill up the whole song. this will also speed up the production time as it tells us what particular shots we need for example a long shot, pan shot or close up.
Tuesday, 4 November 2014
Mark scheme
Lighting
Editing
Genre
Image
1.) Kesha
level 3
The album cover is more dark and gothic than the video. Different fonts are used.
The genre is not clear as the tasks seem aimed at different target audiences. Focus on the artist in both.
Repetition- style motif.
2.) artic monkeys
Level 3 28, 6
Constant brand identity
Black and white is irrelevant
3.)she wants revenge
level 2 24, 8
Red colour scheme
Friday, 17 October 2014
StoryBoard
Our video is suppose to give our artist the
image of being a male gaze and sexy and seductive. We will shoot our star in
text in such a way to make her appeal to male and female audiences; we want
both sexes to admire the image. The close ups of her and her body will
reinforce this. We have decided to theme our video along the narrative and
conceptual music video types. The narrative reading of the video will be that
there is a lonely girl looking for her ‘love’. We try to portray her as lonely
by giving her long shots in London making her look small and isolated. She then
goes around London having imaginations that there is a boy with her, this also
happens when she is at home in her bed, she thinks that there is a boy there
but we will edit it in a way to make him disappear and seem to be an illusion.
The conceptual reading of this is that throughout the video the feathers are
falling and gradually throughout they’re falling more and more quickly and by
the end they hit the floor this is significant because it shows the girls realisation
that she does not need a boy. She is a fallen angel and this is what the
feathers symbolise but she could also be seen as a guardian angel as he looks
over other people.
Digi Pack Analysis
Ciaras newest album cover is very simple, using basic colours. This focuses on the artist. As she is dressed in dark colours, it contrasts the white background on the back cover. The dark colour is also constant on her website. Although this cover is less feminine than her other covers and website, suggesting she is trying to re-brand herself.
Website Analysis

Mariah Carey is another influence we have modeled our artist around, due to the similarities in style and music genre. Her website similarly to Ciaras offeres her fan base merchandise and a link to iTunes to purchase her music. The theme of her website has differed to each album that has been released, however the constant colour and theme is gold and butterflies. Again similarly to Ciara, there is a news reel, keeping the audience up to date on what she is releasing and when she is touring etc.
When creating our own website for Yasmin, we are going to use similar layouts to these artists. They show off the artist, in a sexualised way which appeals to women as they are presented as fit and sexy. As well as this we will include links to her soundcloud and social network sites so that her audience can keep up to date of where and when she is performing.
Tuesday, 14 October 2014
Monday, 13 October 2014
Artist Inspiration
These are the three main artists, which we are going to develop our artists image around. The traits of their images appeal to both the female and male audience. For women, they are all portrayed as being independent, sexy, strong women, this also appeals to the male audience through the male gaze and being sexy and admirable. Each of these artists have been successful, in the R n B genre through many years this is why we have chosen them to base our artists image on.
Aaliyah-
Was a sexy RnB/HipHop/Soul artist active in the 90's. She was a fashion icon and was seen and portrayed as a male gaze. Her songs revolved around matters of the heart and relationships which is similar to our song and we can see a gap in the market for a soulful young new artist that can be sold through her sex appeal and looks.
Mariah Carey-
A successful artist who is still widely recognised. She is seen as a male gaze even now when she is 44 years old this breaks the conventions that for a artist to be sexy they have to be young. They ways her body is shot in this particular video with the silhouettes and soft focuses are what we would like to re create in our video.
Ciara-
She is a sexy HipHop/Soul artist who is a strong female figure and is expressive with her dancing. This video and "Body Party" have a lot of shot types that we are thinking of re creating. We think that all 3 of these artists have traits that we would like to give our artist we want to shoot her video in a way that would portray her as a male gaze.
Friday, 10 October 2014
Lyrics Anlaysis- "Subtle"
0:00-0:10- Instrumental
Woaaahhh
nooo
Verse 1- 0:25
Been waiting for you all day long
Been waiting for you all day long
Been wondering what's
taking so long
Can't wait to hear the
sound of your voice
as my head hits the
pillow
I'm really getting
tired of texting
I need to hear from you though 0:51
|
chorus- 0:50
In wanna laugh chill
talk play run
pre-tend that I'm
Right there
talk-ing-in-your-ear
1:02
baby lets laugh chill
talk play run
pre-tend that I'm
Right there
talk-ing-in-your-ear 1:15
1:16
Can we cup
cup cup cup cake cake cake cake
cup cup cup
cup cake cake cake cake(x3)
1:22, 1:29, 1:35
Verse 2- 1:43
So why have I got you
on the phone
Baby tell me what's been going on
So glad I get to hear
your voice
As my head hits the
pillow
I really wish that I
was there
cause i need to be with you though 2:07
|
chorus-2:06
Baby lets laugh chill
talk play run
Let's pretend that I'm
Right there talk-ing-in-your-ear(repeated x2)
Baby lets
laugh chill talk play run
Let's
pretend that I'm
Right
there talk-ing-in-your-ear
Can we cup
cup cup cup cake cake cake cake
cup cup cup
cup cake cake cake cake(x3)
3:00-3:12 - End Instrumental
Analysis-
When listening to the song, we was very aware of it's slow pace. This sets the pace in which our video will follow. The beat is very repetitive, allowing us to create repetitive visuals for the audience. During the beginning clicking is heard, this can be used and shown on screen. "Lets chill" suggests the soulful mood of the song, so in the video it will be very calming with easy visuals as well as a narrative. The narrative will not be created to make the audience think much, instead we will stick to a classic narrative so it is easy to follow.
The repeated chorus is most likely going to be used for the conceptual clips, so the verses can be portrayed in the narrative of the star in text not being able to be with someone she loves.
Analysis-
When listening to the song, we was very aware of it's slow pace. This sets the pace in which our video will follow. The beat is very repetitive, allowing us to create repetitive visuals for the audience. During the beginning clicking is heard, this can be used and shown on screen. "Lets chill" suggests the soulful mood of the song, so in the video it will be very calming with easy visuals as well as a narrative. The narrative will not be created to make the audience think much, instead we will stick to a classic narrative so it is easy to follow.
The repeated chorus is most likely going to be used for the conceptual clips, so the verses can be portrayed in the narrative of the star in text not being able to be with someone she loves.
Friday, 3 October 2014
Monday, 29 September 2014
Pitch
Our client is Yasmin Amirah a 16 year old singer/ songwriter that mainly appeals to the RnB genre
In our video we plan to use different locations, one of them will be a white bedroom with fairy lights. In this scene the dominant shot type will be extreme close ups and we will be using soft focus to film the lights.
Also we will use extreme slow motion to film the feathers dropping as our video is going to be a conceptual/narrative video
The next location will be London. This will be contrasting going from light to dark and day to night time. We will also film crowded places then lonely places we want to create a clear contrast in the video to get the message across that the star in text is lonely
The narrative goes along the lines of a young girl waking up in her bedroom travelling out into London for the day upset and alone even though people surround her and at the end she finds her ‘love’. The conceptual reading of this is that the feathers are always falling throughout the video and the last shot we plan to use is the feathers finally hitting the floor.
We have discussed intertextual references and information on our blog but we feel like we want to recreate the edit that made in Chelsea uses because we listened to the song and thought of this as a editing technique. Also ghost the film because we want the character to be confused between reality and dream state.
Our artist has 2,237 followers on twitter so isn’t very well known this makes her a good choice for us to use because we can package and brand her in our own way and give her a particular image that we think would work well.
Our intertextual references will be related to the film Ghost, as we are using editing techniques to make our star in text appear as a ghost. This will make the video hyper real. The lighting and soft focus we are going to use will be similar to the camera editing in Made in Chelsea. As the programme is shot in London, it is a good way of how we can also film the city. Existing music videos that we have taken inspiration from is Ed Sheerans 'give me love' for the narrative element of our video. Similar to this our character will be a lonely angel, who guides people to their loved one. Similar shots for the bedroom scene, are interpreted from Shontelles 'T-shirt', and Miley Cyrus' 'Adore You' videos. Both use a lot of white editing. Another video, which uses lens flares to make a halo effect is Britney Spears' 'Every time'.
Friday, 26 September 2014
Camera Editing
First of all we tested using a small light behind my head to create the 'halo' effect, similarly used on Britney Spears' "Every time" video. However in the future we will need a large spotlight and we will be using a professional camera so we can focus on the main singer. This lighting will be used to suggest the innocence of our character, and hint towards her being an angel guiding people.
We then used the mirrors to see where the camera can be placed without the camera being seen. We now know it will be possible to use close ups through the mirror and film both the mirror and person at once with a wide mirror. Mirrors imply peoples true personality by showing their reflection.
Lens flare is a camera shot, which will be used in our video to shoot the location ( London) and star in text.
Wednesday, 24 September 2014
Moodboard
On our mood board, I have used pictures of locations which we are going to use or create, inter textual references from existing music videos and examples of lighting and shots that will be most consistent in our video. The main camera edit as you can see is soft focus. The star in text will be shown as an angel, as we are using a conceptual style of video as well as narrative we will use feathers a lot in our video. The pace of it will be very slow, to challenge the 'busy' city, which we will be using for our location.
Tuesday, 23 September 2014
23rd September
to present your ideas and influences for how the visual style will look to experiment with advanced cam and edit techniques.
\
Soft focus
Location panning- 0:00, 11:08
Close ups- 11:14
Fades "film"
Shadows- 17:18
Shallow Focus- 0:14
Lens Flare
Bright lighting, white colouring
Shadows
Close ups
\
Soft focus
Location panning- 0:00, 11:08
Close ups- 11:14
Fades "film"
Shadows- 17:18
Shallow Focus- 0:14
Lens Flare
Bright lighting, white colouring
Shadows
Close ups
Existing Music Video Influences
Our video will be shot and edited in a similar way to this video with the facial close ups and extreme close ups of the artists body.Also the light editing making it look soft and clear, we will also be going in and out of focus between different shots making our video appear softer and less harsh. We will also have elements of lip syncing from the star in text.
This video contains advanced editing where Rihanna is duplicated various times in the same scence faintly, we would like to achieve this effect in our video or make our star in text appear to be a ghost and walk through doors and objects.
The shot types at the start of this video are ones we would try to re create, the shots of her body that then go to her hands and she is lip syncing. Also the slow motion walking and editing of the shots are a technique we would like to use.In this video the artist is perceived as a male gaze and is portrayed in a sexual way, this is something we are planning to achieve.
Thursday, 18 September 2014
Friday, 12 September 2014
The death of you and me
Noel Ghallagers, 'trilogy' of music videos is a creative way of making a narrative more interesting and retaining his audience. With our own music video we will be using slight symbolism, however the star in text will be lip syncing and therefore more current in the video. This is a way of selling to the audience through creating a campaign, the fact that at the end it says 'to be continued' makes the audience want to listen to the next song and is a way to keep the audience interested. Noel Gallagher has been re created in a new way in this trilogy he isn't the young rebellious english teen he used to be portrayed as he has had an image change to conform to the new target audience.
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